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How to Write a Thank You Note
Few items show how much you appreciate a gift or favor more than a handwritten thank you note. Even in today’s world of texts, emails and social media, taking the time to actually put a pen to paper and explain just how thankful you are for another person shows them just how much they mean to you. It doesn’t take much time, effort or money, so there’s really no excuse not to do it. Take a look at the basic steps for writing a thank you note.
Select a Card or Stationery
The first thing you’ll want to do before writing a thank you note is decide what you’re going to write the note on, usually either a card of stationery. You can find thank you cards at almost any supermarket, office supply store or gift shop, and you can buy them individually or in boxes of multiples if you have many people to thank. They can be funny, sentimental, simple or designed with multiple prints and colors. If you don’t have cards or stationery, a simple piece of paper will work just fine.
Choose a Greeting
Now that you have your thank you note ready, it’s time to start the actual writing. you’ll want to begin with a proper greeting in the top left corner of the card or paper. What you choose is up to you, and it may even depend on your relationship with the person. If you’re sending something to an acquaintance, boss or co-worker, you may start with something a little more formal like “Dear Mrs. Quinn.” If you’re sending it to a relative, you can may want to keep it casual and start with just the name, like “Aunt Sadie” or “Grandma.” Whatever you decide, make it as personalized as possible to show you put some thought into the effort.
Thank the Person First
Next, you’ll start on the body of the thank you note. As a general rule, you’ll want to thank the person as clearly as you can in the first line. don’t forget to also add what you’re thanking them for. Some examples are “Thank you so much for sending me that gift certificate to my favorite store for Christmas” or “Thanks for feeding my pets while I was out of town.” Again, how you say it will depend on your relationship with the person and your own personality.
Add Some Personalization
Of course, you’ll want to add a bit more wording to the body of your note. Short and sweet is fine, but you can make it as long as you want if you’re writing to an old friend or loved one whom you don’t see often. Most people add some information about the gift, such as how they used it, or why they’re thankful for the favor they received. For example, if you said “Thank you so much for sending me that gift certificate to my favorite store for Christmas,” you can follow up with a line like “I used it to buy a new sweater and boots so I’ll stay extra warm this winter.” If your first line was “Thanks for feeding my pets while I was out of town,” you can follow it up with something like, “It’s nice to know they were in such good hands so I could relax and enjoy my vacation.” You may want to add a few lines asking how the person is doing, telling them if they ever need a favor to call you or simply catching them up on some of the details of your life.
Close the Note and Sign It
Once you’ve finished the body of the note, it’s time to close and sign it. You may want to reiterate the point of the note with a one last single line like “Thank you again for the gift card — it was so nice of you to think of me.” Next, you’ll choose a closing to write at the bottom right corner of the note, just below the last line. Depending on your relationship with the recipient or how formal the note is, closings can range from “Regards, Brian” to “Love, Brian.” Below the closing, you’ll sign your name. Keep in mind: There is no spell check or backspace for a handwritten note. Be sure to proofread it before you send it off to its recipient.
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A Step-by-Step Plan for Teaching Narrative Writing
July 29, 2018
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“Those who tell the stories rule the world.” This proverb, attributed to the Hopi Indians, is one I wish I’d known a long time ago, because I would have used it when teaching my students the craft of storytelling. With a well-told story we can help a person see things in an entirely new way. We can forge new relationships and strengthen the ones we already have. We can change a law, inspire a movement, make people care fiercely about things they’d never given a passing thought.
But when we study storytelling with our students, we forget all that. Or at least I did. When my students asked why we read novels and stories, and why we wrote personal narratives and fiction, my defense was pretty lame: I probably said something about the importance of having a shared body of knowledge, or about the enjoyment of losing yourself in a book, or about the benefits of having writing skills in general.
I forgot to talk about the power of story. I didn’t bother to tell them that the ability to tell a captivating story is one of the things that makes human beings extraordinary. It’s how we connect to each other. It’s something to celebrate, to study, to perfect. If we’re going to talk about how to teach students to write stories, we should start by thinking about why we tell stories at all . If we can pass that on to our students, then we will be going beyond a school assignment; we will be doing something transcendent.
Now. How do we get them to write those stories? I’m going to share the process I used for teaching narrative writing. I used this process with middle school students, but it would work with most age groups.
A Note About Form: Personal Narrative or Short Story?
When teaching narrative writing, many teachers separate personal narratives from short stories. In my own classroom, I tended to avoid having my students write short stories because personal narratives were more accessible. I could usually get students to write about something that really happened, while it was more challenging to get them to make something up from scratch.
In the “real” world of writers, though, the main thing that separates memoir from fiction is labeling: A writer might base a novel heavily on personal experiences, but write it all in third person and change the names of characters to protect the identities of people in real life. Another writer might create a short story in first person that reads like a personal narrative, but is entirely fictional. Just last weekend my husband and I watched the movie Lion and were glued to the screen the whole time, knowing it was based on a true story. James Frey’s book A Million Little Pieces sold millions of copies as a memoir but was later found to contain more than a little bit of fiction. Then there are unique books like Curtis Sittenfeld’s brilliant novel American Wife , based heavily on the early life of Laura Bush but written in first person, with fictional names and settings, and labeled as a work of fiction. The line between fact and fiction has always been really, really blurry, but the common thread running through all of it is good storytelling.
With that in mind, the process for teaching narrative writing can be exactly the same for writing personal narratives or short stories; it’s the same skill set. So if you think your students can handle the freedom, you might decide to let them choose personal narrative or fiction for a narrative writing assignment, or simply tell them that whether the story is true doesn’t matter, as long as they are telling a good story and they are not trying to pass off a fictional story as fact.
Here are some examples of what that kind of flexibility could allow:
- A student might tell a true story from their own experience, but write it as if it were a fiction piece, with fictional characters, in third person.
- A student might create a completely fictional story, but tell it in first person, which would give it the same feel as a personal narrative.
- A student might tell a true story that happened to someone else, but write it in first person, as if they were that person. For example, I could write about my grandmother’s experience of getting lost as a child, but I might write it in her voice.
If we aren’t too restrictive about what we call these pieces, and we talk about different possibilities with our students, we can end up with lots of interesting outcomes. Meanwhile, we’re still teaching students the craft of narrative writing.
A Note About Process: Write With Your Students
One of the most powerful techniques I used as a writing teacher was to do my students’ writing assignments with them. I would start my own draft at the same time as they did, composing “live” on the classroom projector, and doing a lot of thinking out loud so they could see all the decisions a writer has to make.
The most helpful parts for them to observe were the early drafting stage, where I just scratched out whatever came to me in messy, run-on sentences, and the revision stage, where I crossed things out, rearranged, and made tons of notes on my writing. I have seen over and over again how witnessing that process can really help to unlock a student’s understanding of how writing actually gets made.
A Narrative Writing Unit Plan
Before I get into these steps, I should note that there is no one right way to teach narrative writing, and plenty of accomplished teachers are doing it differently and getting great results. This just happens to be a process that has worked for me.
Step 1: Show Students That Stories Are Everywhere
Getting our students to tell stories should be easy. They hear and tell stories all the time. But when they actually have to put words on paper, they forget their storytelling abilities: They can’t think of a topic. They omit relevant details, but go on and on about irrelevant ones. Their dialogue is bland. They can’t figure out how to start. They can’t figure out how to end.
So the first step in getting good narrative writing from students is to help them see that they are already telling stories every day . They gather at lockers to talk about that thing that happened over the weekend. They sit at lunch and describe an argument they had with a sibling. Without even thinking about it, they begin sentences with “This one time…” and launch into stories about their earlier childhood experiences. Students are natural storytellers; learning how to do it well on paper is simply a matter of studying good models, then imitating what those writers do.
So start off the unit by getting students to tell their stories. In journal quick-writes, think-pair-shares, or by playing a game like Concentric Circles , prompt them to tell some of their own brief stories: A time they were embarrassed. A time they lost something. A time they didn’t get to do something they really wanted to do. By telling their own short anecdotes, they will grow more comfortable and confident in their storytelling abilities. They will also be generating a list of topic ideas. And by listening to the stories of their classmates, they will be adding onto that list and remembering more of their own stories.
And remember to tell some of your own. Besides being a good way to bond with students, sharing your stories will help them see more possibilities for the ones they can tell.
Step 2: Study the Structure of a Story
Now that students have a good library of their own personal stories pulled into short-term memory, shift your focus to a more formal study of what a story looks like.
Use a diagram to show students a typical story arc like the one below. Then, using a simple story—like this Coca Cola commercial —fill out the story arc with the components from that story. Once students have seen this story mapped out, have them try it with another one, like a story you’ve read in class, a whole novel, or another short video.
Step 3: Introduce the Assignment
Up to this point, students have been immersed in storytelling. Now give them specific instructions for what they are going to do. Share your assignment rubric so they understand the criteria that will be used to evaluate them; it should be ready and transparent right from the beginning of the unit. As always, I recommend using a single point rubric for this.
Step 4: Read Models
Once the parameters of the assignment have been explained, have students read at least one model story, a mentor text that exemplifies the qualities you’re looking for. This should be a story on a topic your students can kind of relate to, something they could see themselves writing. For my narrative writing unit (see the end of this post), I wrote a story called “Frog” about a 13-year-old girl who finally gets to stay home alone, then finds a frog in her house and gets completely freaked out, which basically ruins the fun she was planning for the night.
They will be reading this model as writers, looking at how the author shaped the text for a purpose, so that they can use those same strategies in their own writing. Have them look at your rubric and find places in the model that illustrate the qualities listed in the rubric. Then have them complete a story arc for the model so they can see the underlying structure.
Ideally, your students will have already read lots of different stories to look to as models. If that isn’t the case, this list of narrative texts recommended by Cult of Pedagogy followers on Twitter would be a good place to browse for titles that might be right for your students. Keep in mind that we have not read most of these stories, so be sure to read them first before adopting them for classroom use.
Click the image above to view the full list of narrative texts recommended by Cult of Pedagogy followers on Twitter. If you have a suggestion for the list, please email us through our contact page.
Step 5: Story Mapping
At this point, students will need to decide what they are going to write about. If they are stuck for a topic, have them just pick something they can write about, even if it’s not the most captivating story in the world. A skilled writer could tell a great story about deciding what to have for lunch. If they are using the skills of narrative writing, the topic isn’t as important as the execution.
Have students complete a basic story arc for their chosen topic using a diagram like the one below. This will help them make sure that they actually have a story to tell, with an identifiable problem, a sequence of events that build to a climax, and some kind of resolution, where something is different by the end. Again, if you are writing with your students, this would be an important step to model for them with your own story-in-progress.
Step 6: Quick Drafts
Now, have students get their chosen story down on paper as quickly as possible: This could be basically a long paragraph that would read almost like a summary, but it would contain all the major parts of the story. Model this step with your own story, so they can see that you are not shooting for perfection in any way. What you want is a working draft, a starting point, something to build on for later, rather than a blank page (or screen) to stare at.
Step 7: Plan the Pacing
Now that the story has been born in raw form, students can begin to shape it. This would be a good time for a lesson on pacing, where students look at how writers expand some moments to create drama and shrink other moments so that the story doesn’t drag. Creating a diagram like the one below forces a writer to decide how much space to devote to all of the events in the story.
Before students write a full draft, have them plan out the events in their story with a pacing diagram, a visual representation of how much “space” each part of the story is going to take up.
Step 8: Long Drafts
With a good plan in hand, students can now slow down and write a proper draft, expanding the sections of their story that they plan to really draw out and adding in more of the details that they left out in the quick draft.
Step 9: Workshop
Once students have a decent rough draft—something that has a basic beginning, middle, and end, with some discernible rising action, a climax of some kind, and a resolution, you’re ready to shift into full-on workshop mode. I would do this for at least a week: Start class with a short mini-lesson on some aspect of narrative writing craft, then give students the rest of the period to write, conference with you, and collaborate with their peers. During that time, they should focus some of their attention on applying the skill they learned in the mini-lesson to their drafts, so they will improve a little bit every day.
Topics for mini-lessons can include:
- How to weave exposition into your story so you don’t give readers an “information dump”
- How to carefully select dialogue to create good scenes, rather than quoting everything in a conversation
- How to punctuate and format dialogue so that it imitates the natural flow of a conversation
- How to describe things using sensory details and figurative language; also, what to describe…students too often give lots of irrelevant detail
- How to choose precise nouns and vivid verbs, use a variety of sentence lengths and structures, and add transitional words, phrases, and features to help the reader follow along
- How to start, end, and title a story
Step 10: Final Revisions and Edits
As the unit nears its end, students should be shifting away from revision , in which they alter the content of a piece, toward editing , where they make smaller changes to the mechanics of the writing. Make sure students understand the difference between the two: They should not be correcting each other’s spelling and punctuation in the early stages of this process, when the focus should be on shaping a better story.
One of the most effective strategies for revision and editing is to have students read their stories out loud. In the early stages, this will reveal places where information is missing or things get confusing. Later, more read-alouds will help them immediately find missing words, unintentional repetitions, and sentences that just “sound weird.” So get your students to read their work out loud frequently. It also helps to print stories on paper: For some reason, seeing the words in print helps us notice things we didn’t see on the screen.
To get the most from peer review, where students read and comment on each other’s work, more modeling from you is essential: Pull up a sample piece of writing and show students how to give specific feedback that helps, rather than simply writing “good detail” or “needs more detail,” the two comments I saw exchanged most often on students’ peer-reviewed papers.
Step 11: Final Copies and Publication
Once revision and peer review are done, students will hand in their final copies. If you don’t want to get stuck with 100-plus papers to grade, consider using Catlin Tucker’s station rotation model , which keeps all the grading in class. And when you do return stories with your own feedback, try using Kristy Louden’s delayed grade strategy , where students don’t see their final grade until they have read your written feedback.
Beyond the standard hand-in-for-a-grade, consider other ways to have students publish their stories. Here are some options:
- Stories could be published as individual pages on a collaborative website or blog.
- Students could create illustrated e-books out of their stories.
- Students could create a slideshow to accompany their stories and record them as digital storytelling videos. This could be done with a tool like Screencastify or Screencast-O-Matic .
So this is what worked for me. If you’ve struggled to get good stories from your students, try some or all of these techniques next time. I think you’ll find that all of your students have some pretty interesting stories to tell. Helping them tell their stories well is a gift that will serve them for many years after they leave your classroom. ♦
Want this unit ready-made?
If you’re a writing teacher in grades 7-12 and you’d like a classroom-ready unit like the one described above, including slideshow mini-lessons on 14 areas of narrative craft, a sample narrative piece, editable rubrics, and other supplemental materials to guide students through every stage of the process, take a look at my Narrative Writing unit . Just click on the image below and you’ll be taken to a page where you can read more and see a detailed preview of what’s included.
What to Read Next
Categories: Instruction , Podcast
Tags: English language arts , Grades 6-8 , Grades 9-12 , teaching strategies
Wow, this is a wonderful guide! If my English teachers had taught this way, I’m sure I would have enjoyed narrative writing instead of dreading it. I’ll be able to use many of these suggestions when writing my blog! BrP
Lst year I was so discouraged because the short stories looked like the quick drafts described in this article. I thought I had totally failed until I read this and realized I did not fai,l I just needed to complete the process. Thank you!
I feel like you jumped in my head and connected my thoughts. I appreciate the time you took to stop and look closely at form. I really believe that student-writers should see all dimensions of narrative writing and be able to live in whichever style and voice they want for their work.
Can’t thank you enough for this. So well curated that one can just follow it blindly and ace at teaching it. Thanks again!
Great post! I especially liked your comments about reminding kids about the power of storytelling. My favourite podcasts and posts from you are always about how to do things in the classroom and I appreciate the research you do.
On a side note, the ice breakers are really handy. My kids know each other really well (rural community), and can tune out pretty quickly if there is nothing new to learn about their peers, but they like the games (and can remember where we stopped last time weeks later). I’ve started changing them up with ‘life questions’, so the editable version is great!
I love writing with my students and loved this podcast! A fun extension to this narrative is to challenge students to write another story about the same event, but use the perspective of another “character” from the story. Books like Wonder (R.J. Palacio) and Wanderer (Sharon Creech) can model the concept for students.
Thank you for your great efforts to reveal the practical writing strategies in layered details. As English is not my first language, I need listen to your podcast and read the text repeatedly so to fully understand. It’s worthy of the time for some great post like yours. I love sharing so I send the link to my English practice group that it can benefit more. I hope I could be able to give you some feedback later on.
Thank you for helping me get to know better especially the techniques in writing narrative text. Im an English teacher for 5years but have little knowledge on writing. I hope you could feature techniques in writing news and fearute story. God bless and more power!
Thank you for this! I am very interested in teaching a unit on personal narrative and this was an extremely helpful breakdown. As a current student teacher I am still unsure how to approach breaking down the structures of different genres of writing in a way that is helpful for me students but not too restrictive. The story mapping tools you provided really allowed me to think about this in a new way. Writing is such a powerful way to experience the world and more than anything I want my students to realize its power. Stories are how we make sense of the world and as an English teacher I feel obligated to give my students access to this particular skill.
The power of story is unfathomable. There’s this NGO in India doing some great work in harnessing the power of storytelling and plots to brighten children’s lives and enlighten them with true knowledge. Check out Katha India here: http://bit.ly/KathaIndia
Thank you so much for this. I did not go to college to become a writing professor, but due to restructuring in my department, I indeed am! This is a wonderful guide that I will use when teaching the narrative essay. I wonder if you have a similar guide for other modes such as descriptive, process, argument, etc.?
Hey Melanie, Jenn does have another guide on writing! Check out A Step-by-Step Plan for Teaching Argumentative Writing .
Hi, I am also wondering if there is a similar guide for descriptive writing in particular?
Hey Melanie, unfortunately Jenn doesn’t currently have a guide for descriptive writing. She’s always working on projects though, so she may get around to writing a unit like this in the future. You can always check her Teachers Pay Teachers page for an up-to-date list of materials she has available. Thanks!
I absolutely adore this unit plan. I teach freshmen English at a low-income high school and wanted to find something to help my students find their voice. It is not often that I borrow material, but I borrowed and adapted all of it in the order that it is presented! It is cohesive, understandable, and fun. Thank you!!
So glad to hear this, Nicole!
Thanks sharing this post. My students often get confused between personal narratives and short stories. Whenever I ask them to write a short story, she share their own experiences and add a bit of fiction in it to make it interesting.
Thank you! My students have loved this so far. I do have a question as to where the “Frog” story mentioned in Step 4 is. I could really use it! Thanks again.
This is great to hear, Emily! In Step 4, Jenn mentions that she wrote the “Frog” story for her narrative writing unit . Just scroll down the bottom of the post and you’ll see a link to the unit.
I also cannot find the link to the short story “Frog”– any chance someone can send it or we can repost it?
This story was written for Jenn’s narrative writing unit. You can find a link to this unit in Step 4 or at the bottom of the article. Hope this helps.
I cannot find the frog story mentioned. Could you please send the link.? Thank you
The Frog story was written for Jenn’s narrative writing unit. There’s a link to this unit in Step 4 and at the bottom of the article.
Debbie- thanks for you reply… but there is no link to the story in step 4 or at the bottom of the page….
Hey Shawn, the frog story is part of Jenn’s narrative writing unit, which is available on her Teachers Pay Teachers site. The link Debbie is referring to at the bottom of this post will take you to her narrative writing unit and you would have to purchase that to gain access to the frog story. I hope this clears things up.
Thank you so much for this resource! I’m a high school English teacher, and am currently teaching creative writing for the first time. I really do value your blog, podcast, and other resources, so I’m excited to use this unit. I’m a cyber school teacher, so clear, organized layout is important; and I spend a lot of time making sure my content is visually accessible for my students to process. Thanks for creating resources that are easy for us teachers to process and use.
Do you have a lesson for Informative writing?
Hey Cari, Jenn has another unit on argumentative writing , but doesn’t have one yet on informative writing. She may develop one in the future so check back in sometime.
I had the same question. Informational writing is so difficult to have a good strong unit in when you have so many different text structures to meet and need text-dependent writing tasks.
Creating an informational writing unit is still on Jenn’s long list of projects to get to, but in the meantime, if you haven’t already, check out When We All Teach Text Structures, Everyone Wins . It might help you out!
This is a great lesson! It would be helpful to see a finished draft of the frog narrative arc. Students’ greatest challenge is transferring their ideas from the planner to a full draft. To see a full sample of how this arc was transformed into a complete narrative draft would be a powerful learning tool.
Hi Stacey! Jenn goes into more depth with the “Frog” lesson in her narrative writing unit – this is where you can find a sample of what a completed story arc might look. Also included is a draft of the narrative. If interested in checking out the unit and seeing a preview, just scroll down to the bottom of the post and click on the image. Hope this helps!
Helped me learn for an entrance exam thanks very much
Is the narrative writing lesson you talk about in https://www.cultofpedagogy.com/narrative-writing/
Also doable for elementary students you think, and if to what levels?
Love your work, Sincerely, Zanyar
It’s possible the unit would work with 4th and 5th graders, but Jenn definitely wouldn’t recommend going any younger. The main reason for this is that some of the mini-lessons in the unit could be challenging for students who are still concrete thinkers. You’d likely need to do some adjusting and scaffolding which could extend the unit beyond the 3 weeks. Having said that, I taught 1st grade and found the steps of the writing process, as described in the post, to be very similar. Of course learning targets/standards were different, but the process itself can be applied to any grade level (modeling writing, using mentor texts to study how stories work, planning the structure of the story, drafting, elaborating, etc.) Hope this helps!
This has made my life so much easier. After teaching in different schools systems, from the American, to British to IB, one needs to identify the anchor standards and concepts, that are common between all these systems, to build well balanced thematic units. Just reading these steps gave me the guidance I needed to satisfy both the conceptual framework the schools ask for and the standards-based practice. Thank you Thank you.
Would this work for teaching a first grader about narrative writing? I am also looking for a great book to use as a model for narrative writing. Veggie Monster is being used by his teacher and he isn’t connecting with this book in the least bit, so it isn’t having a positive impact. My fear is he will associate this with writing and I don’t want a negative association connected to such a beautiful process and experience. Any suggestions would be helpful.
Thank you for any information you can provide!
Although I think the materials in the actual narrative writing unit are really too advanced for a first grader, the general process that’s described in the blog post can still work really well.
I’m sorry your child isn’t connecting with The Night of the Veggie Monster. Try to keep in mind that the main reason this is used as a mentor text is because it models how a small moment story can be told in a big way. It’s filled with all kinds of wonderful text features that impact the meaning of the story – dialogue, description, bold text, speech bubbles, changes in text size, ellipses, zoomed in images, text placement, text shape, etc. All of these things will become mini-lessons throughout the unit. But there are lots of other wonderful mentor texts that your child might enjoy. My suggestion for an early writer, is to look for a small moment text, similar in structure, that zooms in on a problem that a first grader can relate to. In addition to the mentor texts that I found in this article , you might also want to check out Knuffle Bunny, Kitten’s First Full Moon, When Sophie Gets Angry Really Really Angry, and Whistle for Willie. Hope this helps!
I saw this on Pinterest the other day while searching for examples of narritives units/lessons. I clicked on it because I always click on C.o.P stuff 🙂 And I wasn’t disapointed. I was intrigued by the connection of narratives to humanity–even if a student doesn’t identify as a writer, he/she certainly is human, right? I really liked this. THIS clicked with me.
A few days after I read the P.o.C post, I ventured on to YouTube for more ideas to help guide me with my 8th graders’ narrative writing this coming spring. And there was a TEDx video titled, “The Power of Personal Narrative” by J. Christan Jensen. I immediately remembered the line from the article above that associated storytelling with “power” and how it sets humans apart and if introduced and taught as such, it can be “extraordinary.”
I watched the video and to the suprise of my expectations, it was FANTASTIC. Between Jennifer’s post and the TEDx video ignited within me some major motivation and excitement to begin this unit.
Thanks for sharing this with us! So glad that Jenn’s post paired with another text gave you some motivation and excitement. I’ll be sure to pass this on to Jenn!
Thank you very much for this really helpful post! I really love the idea of helping our students understand that storytelling is powerful and then go on to teach them how to harness that power. That is the essence of teaching literature or writing at any level. However, I’m a little worried about telling students that whether a piece of writing is fact or fiction does not matter. It in fact matters a lot precisely because storytelling is powerful. Narratives can shape people’s views and get their emotions involved which would, in turn, motivate them to act on a certain matter, whether for good or for bad. A fictional narrative that is passed as factual could cause a lot of damage in the real world. I believe we should. I can see how helping students focus on writing the story rather than the truth of it all could help refine the needed skills without distractions. Nevertheless, would it not be prudent to teach our students to not just harness the power of storytelling but refrain from misusing it by pushing false narratives as factual? It is true that in reality, memoirs pass as factual while novels do as fictional while the opposite may be true for both cases. I am not too worried about novels passing as fictional. On the other hand, fictional narratives masquerading as factual are disconcerting and part of a phenomenon that needs to be fought against, not enhanced or condoned in education. This is especially true because memoirs are often used by powerful people to write/re-write history. I would really like to hear your opinion on this. Thanks a lot for a great post and a lot of helpful resources!
Thank you so much for this. Jenn and I had a chance to chat and we can see where you’re coming from. Jenn never meant to suggest that a person should pass off a piece of fictional writing as a true story. Good stories can be true, completely fictional, or based on a true story that’s mixed with some fiction – that part doesn’t really matter. However, what does matter is how a student labels their story. We think that could have been stated more clearly in the post , so Jenn decided to add a bit about this at the end of the 3rd paragraph in the section “A Note About Form: Personal Narrative or Short Story?” Thanks again for bringing this to our attention!
You have no idea how much your page has helped me in so many ways. I am currently in my teaching credential program and there are times that I feel lost due to a lack of experience in the classroom. I’m so glad I came across your page! Thank you for sharing!
Thanks so much for letting us know-this means a whole lot!
No, we’re sorry. Jenn actually gets this question fairly often. It’s something she considered doing at one point, but because she has so many other projects she’s working on, she’s just not gotten to it.
I couldn’t find the story
Hi, Duraiya. The “Frog” story is part of Jenn’s narrative writing unit, which is available on her Teachers Pay Teachers site. The link at the bottom of this post will take you to her narrative writing unit, which you can purchase to gain access to the story. I hope this helps!
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Narrative Writing Teaching Unit for secondary ELA (presentation, essay & more)
Also included in: Narrative Writing and Short Story Unit Bundle
Personal Narrative Essay, Autobiographical Incident Writing, Step-By-Step, CCSS
Narrative Writing Workshop for Middle School ELA PRINT & DIGITAL
Also included in: Argumentative, Narrative, Informative, Research, & Expository Writing BUNDLE
Narrative Writing Unit for Middle School - PRINT and DIGITAL
Also included in: Narrative Writing Bundle - Includes Games
Narrative Writing PowerPoint Notes Personal, Fictional, Biographical
Social Conversation Skills Activities Cards Middle and High School Print Digital
- Easel Activity
Also included in: Social Communication Social Skills Language Activities Bundle Middle High School
Middle School Personal Narrative Essay Writing Unit
Narrative Writing and Short Story Unit Bundle
Writing Prompts for Middle School--100 High Interest Prompts!
Dead Words Activity - CCSS Fun for Middle and High School!
FICTION Middle & High School Every Goal Speech Therapy Unit: Dinner Plans
Autobiography Personal Narrative Writing Activity | All About Me Song Playlist
Also included in: Back to School Lessons and Activities Bundle
Personal narrative, high school or middle school Autobiographical Incident
Journal Writing Prompts - 5-Minute Daily Journal Prompts for the Whole Year
Personal Narrative Writing Unit | Middle School | Printable Resources | W.7.3
Spring Break Tales: A Personal Narrative Journal and Writing Resource
Also included in: April ELA Bundle for Grades 4-6 Common Core Aligned
Narrative Essay (CCSS Aligned - Grades 7-10)
Personal Narratives PowerPoint file
My Story Personal Narrative ESL/ELD Google Slides Lesson Middle and High School
Also included in: Narrative Writing Bundle ESL/ELD High School Google Slides
Personal Narrative Digital Writer's Notebook
Also included in: Units of Study Digital Notebooks Mini Bundle
Narrative Writing for Middle & High School: Graphic Organizers, Writing Prompts
Also included in: Essay Writing Bundle: Narrative, Expository, and Argumentative/Persuasive
9-12 High School Personal Narrative (Family Narrative) Writing Unit
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- INDEPENDENT WORK
- NOVEL STUDY
- Audio Chapters 1-6
- Audio Chapters 7-12
- LITERATURE CIRCLES
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- NARRATIVE WRITING UNIT
- BOOK REVIEWS
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Narrative Essay Terms
Rubric review- click here, narrative writing help - click here, personal narrative writing slides --- click here, narrative tutorial- click here.
Middle school narrative essays and middle school writing conferences.
Five years ago, I had just started my first year of teaching 7th and 8th grade English Language Arts. We were working on writing middle school narrative essays and I did a blog post on how I taught it here .
I have grown SO much since that time. My students definitely learned a lot, but especially because I teach the same kids in 8th grade as I do in 7th, I knew that I had to really up what we are doing this year.
Disclaimer: I don’t teach “personal narratives.” I know. Writing gods across the universe are gasping in shock, but it’s a decision I made a couple years ago, kind of on a whim, but has been the best thing I have ever done.
WHY NOT PERSONAL NARRATIVES?
I just feel like kids have written 8-10 personal narratives by the time they get to me, and we are all over it. Plus, sometimes it’s REALLY hard for kids to write something meaningful about the first time they were stung by a bee… or whatever small moment I spend hours and days trying to help them come up with.
I found that when students have to use narrative elements to become a character from a narrative mentor text, they don’t spend days trying to figure out what to write. They truly use narrative craft because they have a complete and well done mentor text to constantly reference. Plus they’re final essay and their writing are just SO FREAKING GOOD.
My first year, we read Freak the Mighty in both seventh and eighth grade. Students had to write from Freak’s or from Killer Kane’s point of view. They were some of the best essay I’ve ever read.
I used my Realistic Fiction and Literature Terms/Devices unit, along with Freak the Mighty.
I use the novels to teach literary elements and they use that knowledge to write their middle school narrative essays. We also focus a lot on thinking critically about the texts we read.
CHANGING IT UP EACH YEAR
My first year teaching middle school ELA, I taught a lot of the same lessons to both seventh and eight grade. It was honestly perfect as I learned two new grade levels, but that meant I changed things up a lot in the following years.
I still did the same thing with my 7th graders this year, and we are just about done writing our rough drafts.
For 8th grade, I had the same students, so I decided we would read The Outsiders . Even more so, instead of them just having to write from the point of view of a character, I actually wanted them to have to do some of that hard thinking that they might be missing out on by not doing a personal narrative.
With this in mind, my 8th graders had to continue Ponyboy’s narrative. Their middle school narrative essays still had to have a plot and climax that was completely developed. Essentially, I was asking them to write another chapter of the book.
It was REALLY HARD for all of us, especially in the planning stages, but I scaffolded and modeled A LOT. Now we’re on rough drafts too, and they’re seriously amazing.
I have since also added a sixth grade example for everything. We used Jason Reynolds novel, Ghost for their mentor text. Again, we used my realistic fiction unit and their novel study units.
COMPLETE NARRATIVE WRITING UNIT
Each year, I changed how we did our narrative writing unit, and I continued to update my examples and lesson plans each year.
I have since compiled all my middle school narrative writing lesson into one complete unit that you can get here.
Since I do teach middle school narrative essays differently than a lot of teachers, I thought I would give you a better overview of what the complete units looks like, plus show you some freebies you can get to use today!
NARRATIVE WRITING UNIT OVERVIEW
- Session 1: Elements of Narrative Essays Part one
- Session 2: Elements of Narrative Essays Part Two
- Session 3: Narrative Plot Diagrams
- Session 4: Using Sensory Details
- Session 5: Using Dialogue Correctly
- Session 6: Using Dialogue Effectively
- Session 7: Ways to Start a Narrative, Writing Rough Drafts, Writing Conferences
- Session 8: Using Narrative Transitions, Writing Rough Drafts, Writing Conferences
- Session 9: Pacing Narrative Writing, Writing Rough Drafts, Writing Conferences
- Session 10: Ways to End a Narrative, Writing Rough Drafts, Writing Conferences
- Session 11 : Consistent Verb Tenses, Peer Editing, Writing Conferences
- Session 12 : Editing vs. Revising Rough drafts, Writing Conferences
- Session 13-15: Publishing final drafts, Writing Conferences
Each lesson plan has standard alignment, lesson plans for learning period, interactive notebook pages when applicable, teacher prep, writing conference forms and examples, and more!
INTERACTIVE NOTEBOOK PAGES
With middle school narrative essays I find that students need some front loading before drafting. Because of that, we do spend the first few days doing some interactive notebook lessons on elements of narrative.
Personal narratives are all about teaching students to use the elements of narrative writing. Since we aren’t doing a personal narrative, I focus heavily on the elements of a narrative to start. We start by defining each of the elements but then look for examples in our mento texts. This is huge because they use their mentor text to write their essays.
DIFFERENTIATED EXAMPLES BY GRADE LEVEL
As someone who taught all three grade levels of middle school at the same time, I always needed different examples. I like to be able to use the same units, but use different content. If there is an interactive notebook lesson, I made sure to differentiate examples by grade level.
The same is done for all of the lesson plans when there are examples based on the mentor texts. I use Ghost for sixth grade, Freak the Mighty seventh grade, and The Outsiders for eighth grades, so I make sure I have different examples for each.
It drove me crazy when students would say things like, “I don’t get what to do.” So I made sure I had examples that were conceptualized for each grade level so there was no excuse.
NARRATIVE ESSAY CHART PAPERS
I know I teach middle school ELA, but I still love using chart papers for students to reference. Most of my interactive notebook lessons were adapted and created based on the chart papers.
You don’t have to do both the chart papers and the interactive notebook lessons, but I did include images of all my chart papers. I honestly just made them as I came up with elements that I knew we need to dig deeper into throughout the unit.
When I was in a pinch some year, I honestly could just print the chart papers on 8×10 paper so students could glue them into their notebooks. I don’t think it is as effective as student taking their own notes, but sometimes you’re short on time.
INDIVIDUAL WRITING CONFERENCES
I strongly believe that my students write really strong narrative essays because of how I do writing conferences with students.
I have a separate blog post all about how I do writing conference in my middle school ELA classroom , because there was a time when I did them like I “thought” I needed to do writing conferences.
I thought I needed to spend time training them, making them be prepared for them, and then trying to come up with discussion points. I’ve since learned that that just isn’t reality when you have 100+ middle school ELA students.
Check out my blog post all about this here.
I also have since made tons of editable middle school narrative essays rubrics and writing conference forms for teachers and students.
FREE NARRATIVE REFERENCE NOTEBOOKS
One of the biggest updates I made while redoing my narrative writing unit was making a narrative reference notebook.
It’s perfect for students to create at the beginning of the units and to reference while creating their narrative essays.
- Read more about: Back to School , Middle School ELA Assessment , Middle School Writing , Organization , Printables for Teachers
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Middle School Narrative Writing Lesson plans and other teaching resources
| Elementary Narrative Writing | |Middle School Narrative Writing| | High School Narrative Writing |
20 Mystical Bridges That Will Take You To Another World Creative writing prompt: "I walked across the bridge and ..." The photographs of real bridges on this page are astonishingly beautiful. However, the page also carries ads that may not be appropriate for the classroom. Consider copying the photographs into a new file for classroom use.
27 Magical Paths Begging To Be Walked Photographs of beautiful paths all over the world, showing a variety of seasons and geography, just waiting to inspire a poem or serve as the setting for a short story. Note: this page carries ads that may not be appropriate for the classroom. Consider copying the photographs into a new file for classroom use.
500 Prompts for Narrative and Personal Writing Organized by category.
Constructing Narratives: A Unit Plan for Taking Apart and Reconstructing Stories This lesson is designed as a project-based unit plan that will take students through the narrative process from deconstruction to construction. After initial discussion, students will use an interactive story map to deconstruct a short story. Students will use pictures to put together a PowerPoint-based storyboard that other students will use to construct a story. This unit is designed for grades 6-8.
From Object to Story: Writing a Historical Narrative Featuring an Artifact from One's Family History Students share observations about the history of familial artifacts. They then research the history and cultural significance of selected objects to prepare their own historical narratives. Includes short reading as prewriting activity. Designed for grades 7-12.
Hands, Hands, Hands - Writing a Narrative Essay from the Perspective of a Particular Hand The teacher will show pictures of six hands to students (pictures included with other handouts). After a brainstorming session, students will choose one hand that illustrates a particular story from their life. Then students will write a two page narrative essay about this story. These stories will be posted on a class blog to allow for feedback and discussion from classmates. Designed for grades 7-10.
In Search Of Wisdom: An Interview With An Elder Students develop interview questions, interview someone aged 60 or older, and write a narrative using that person's voice. Designed for grades 6-12.
Incorporating Flashbacks in Narrative Text — The Sinking of the U.S.S. Indianapolis Students watch a 2:25 video segment that shows an interview with one of the survivors of the U.S.S. Indianapolis who recalls the sinking of the ship and his survival. Students then create an original narrative that utilizes flashback to tell the survivor's story. This lesson is designed for grades 6-12 and includes links to the downloadable video and all support materials.
Little Red Riding Hood Little Red Riding Hood is now part of an elite group of fairy tale crime scene investigators. You remember Humpty Dumpty? He didn't fall. He was pushed. Or so it seemed at first. This idea will work on multiple grade levels.
Meet Comic Book Artist Phil Jimenez This video (4:34) presents writer and comic book artist Phil Jimenez, who has worked for DC and Marvel Comics. Jimenez describes his early inspiration, gives tips for good storytelling, and discusses the unique way comics approach sequential narrative. Links at the site include a student assignment handout to review Jimenez's advice, an assignment on making a visual story about an "everyday adventure," and a teacher handout for reflection prompts and discussion questions about visual storytelling that focus on Common Core State Standards for Writing: Text Types and Purposes, for students in grades 6, 7, and 8.
Memory Preservation--One Relative at a Time After organizing and conducting an interview of a grandparent/senior citizen, students create a slideshow presentation using the information and memorabilia collected at the interview. This lesson plan includes rubric and model. It is designed for 8th grade.
Narrative, Argumentative and Informative Writing About Baseball Students compose a one- or two-paragraph scene in which a valuable signed baseball is destroyed. The narrative task is the first of four prompts here. Common Core Standards indicated. Don't miss the extension activity, a video of Abbott and Costello's "Who's on First?" Grades 6-12.
A Picture's Worth a Thousand Words Students are given a picture that tells a story. They brainstorm words and ideas, then write a story based on what they see. This lesson is designed for grades 6-8.
Prewriting Exercises for Personal Narratives Ten activities for personal narrative writing, grades 7-12.
Using Personal Photographs to Spark Narrative Writing The lesson plan asks students to bring in a photograph that has special meaning for them and to write about it. This will work on multiple grade levels.
- Oct 25, 2022
Personal Narrative Writing in Middle School: Digging Deeper
Updated: Oct 25, 2022
For years, I didn't do personal narrative writing in middle school. In fact, I wrote an entire blog post about why I didn't do it . Main reason...it's been done before in many years prior to when those students came to you, especially if teachers prior use writing workshop.
However, I've grown to embrace it again. The biggest reason why is because I think it helps build a classroom community. I decided to go with personal narrative instead of my usual fiction writing in response to reading during the pandemic. I felt, since the kids were remote, this was a good way to get to know each other a little better.
I did peruse Lucy Calkins' Personal Narrative unit for the digital notebook, however, as I went through the unit, I changed a lot.
I like to have the students do a quick narrative based on a person in their lives . The idea of writing about a special moment with a person has been done a lot up until this point so I feel it's an easy way to get a sense of where they are. I have them start with listing moments with an important person. They pick one of those moments to write about.
I don't necessarily need an entire story; I just want them to show me what they can do.
If you don't know already, a personal narrative focuses on a small moment , not an entire day, trip, game, etc. In the earlier grades, teachers spend a lot of time on this (think less watermelon, more seed). At this point, I feel that students just need a refresher.
I like to do this through mentor texts . I provide students with actual written student narratives from my past students. (Here are two you can use. These are by actual students, so definitely not perfect examples. Student Narrative #1 and Student Narrative #2 ).
Students go in to highlight specifically the small moment components of the stories. We discuss how these stories are small moments (or not) and they also start analyzing what the stories did well (or not).
I think it is super valuable to see other students' stories to give students perspective of what's expected or what can be improved.
Students begin to brainstorm by thinking of a place that is important to them. I tell them to be as specific as possible.
Their idea may be big, but then they make a map of the place. The map is more focused on the moments that happened in the place. They then pick one of those moments in the place and write long about it.
Next, I have students write about moments that mattered. For this, I like to do Show and Tell . I tell students a few days before to bring in an item that is important to them. This should symbolize something or someone that is important in their lives. This goes so well! It goes beyond just what the objects are, but also what they can represent.
They use that object to brainstorm ideas within the topics of "first times", "last times", and "moments I learned something" . For example, I showed a picture of my husband and me at my brother's wedding. This was important to me because it was the first time I had left my son with another babysitter. I was dealing with post-partum anxiety. This stemmed lots of ideas: first time I left my son with a babysitter, first time I had an anxiety attack, the LAST time I had an anxiety attack, the first time I changed a diaper, the moment I learned it's important to enjoy small things, etc.
I start with students focusing on story structure . I have them look at short stories to do this. I really like "Eleven" and "Fish Cheeks". They are short and sweet and are great models for personal narrative.
They fill out the chart for those stories. We discuss, then they plan their own stories on a story structure chart.
The next day we focus on internal and external . This is something we cover in our unit prior. I do a Deep Study of Character before this and we often get into internal and external characteristics of characters. For writing, they focus on what they could be thinking (internal) in each part of their chart and what they could be doing (external) in each part.
Like everything else, we look at short stories first to see how these mentor authors do the same.
Before getting into the actual writing, I spend a day on Show Don't Tell . There are so many things you can do with this, but here's how I do it .
I usually break down each part of the story structure chart by day. So, I will do exposition one day, rising action another, etc. I will start each day with them looking at mentor expositions, etc. Each year, I've done different things. I also share MY PERSONAL NARRATIVE. This is so important; you HAVE to write what the students are expected to write .
A few things I've done:
I would share a Doc with a page or two out of a shared read aloud. I'd give them specific questions that focus on that part of the story map; for example, "how did Jason Reynolds introduce the characters in this chapter?".
I'd have them go back into whatever books they are reading and answer similar questions ("how did the author introduce setting/problem/solution?" "how did the author show feelings/thoughts/actions?").
I always share with them MY exposition, rising action, etc. Sometimes I just read it to them, other times I have them work with partners to look for similar things mentioned in the bullets before this.
It's important to look at mentors. I don't just have them go and write the whole story in a day. It's so important to break it up.
There are so many different lessons you can do. I always have to remind myself that you don't have to teach them EVERY thing. I try to keep revision pretty straightforward.
Of course, there is editing; focusing on grammar, punctuation, spelling. I like to tie in anything I do with mentor sentences or vocabulary . It's a good idea to connect it to anything you do for grammar or word study.
Four major areas of revision as per the Lucy Calkins' unit:
Looking at mentor sentences and trying it out with their own writing.
Finding the heart of the story.
Stretching out scenes (finding a moment that can use more detail and stretching it).
Slowing down the problem scene.
I don't always commit to these exactly. I do like to spend time on dialogue and elaboration . I really get into how important it is to punctuate it properly and how to tag it so it shows more description.
I also revisit their showing and not telling slides and have them apply it to their writing.
One of the very last things I do in the revision stage is have them do critique groups . This is a bit different than just them swapping Docs with each other and commenting. It's more of a dialogue.
Lastly, they finalize their draft and put it on a Padlet . This is used for lots of things. Guardians are able to see their writing. They can see each other's writing. And I have a spot with ALL of their stories.
While personal narrative has been done, there is always room to grow. I really feel it depends on the group you have. It's a nice way to start the year to get to know each other. I usually spend about a month on the entire unit.
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Few items show how much you appreciate a gift or favor more than a handwritten thank you note. Even in today’s world of texts, emails and social media, taking the time to actually put a pen to paper and explain just how thankful you are for...
Narrative statements, also called personal statements, vary in content but should be consistent, have a main focus, include engaging and creative content, avoid generalizations, convey knowledge of a certain academic subject area or job ski...
A well-written school application letter should be organized, coherent, interpretive, specific and personal. Applications typically offer a prompt or question, and students should attempt to respond to this as deliberately as possible.
I used this process with middle school students, but it would work with most age groups. A Note About Form: Personal Narrative or Short Story?
Narrative Writing is fun and easy with the step-by-step instructions and mini-lessons included in this unit! It covers personal
Personal narrative, high school—writing an autobiographical incident Note: This unit is geared toward high school students
Materials: Handout - Personal Narrative Notes. Instructional Sequence: 1. Have students take out their completed handout from yesterday, "Hunting is Not Those.
How can you creatively allow someone to experience your experience? Task: Create a personal narrative essay focusing on an event
Disclaimer: I don't teach “personal narratives.” I know. Writing gods across the universe are gasping in shock, but it's a decision I made a couple years ago
HOW TO WRITE A NARRATIVE ESSAY - Middle School. Watch later. Share. Copy link. Info. Shopping. Tap to unmute.
Note: this page carries ads that may not be appropriate for the classroom.
“What about setting description?” Page 7. Grade 4 Writing ◇ Personal Narrative. PN - 7. DRAFT - August 2009. PORTLAND PUBLIC SCHOOLS. Have students share what
Main reason...it's been done before in many years prior to when those students came to you, especially if teachers prior use writing workshop.
Plan, write, revise, publish, and podcast a fictional or personal narrative