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Father of English Essay – Francis Bacon!

Last updated on February 14th, 2023 at 01:27 am

The “father of the English essay” is often considered to be Francis Bacon. He was an English philosopher, statesman, and writer who lived in the 16th and 17th centuries. Bacon is best known for his essays, which are considered to be some of the earliest examples of the form in English literature. In his essays, Bacon explored a wide range of topics, including love, death, truth, anger, friendship, and more. He was known for his concise, direct writing style and his ability to convey complex ideas in simple, easy-to-understand language. Through his essays, Bacon helped establish the essay as a literary form, and he remains an important figure in the history of English literature.

Table of Contents

Francis Bacon

During the transition from the Renaissance to the early modern era, Sir Francis Bacon (1561–1626) was one of the most influential people in natural philosophy and the study of scientific methods.  Bacon is regarded as the father of English essay. He introduced this genre into the English language and literature by importing it from French writer Michel de Montaigne. No less important than the innovative act of importing this form was his own personal contribution to its enrichment and development. He is additionally referred to as the Father of Modern English Prose. In addition to these two very outstanding accomplishments, Bacon was a diligent classical scholar with an encyclopedic breadth of knowledge. He was a distinguished empirical scientist, a distinguished lawyer, and a significant statesman. He was a member of parliament and a superb orator. Bacon’s intellect was not entirely lofty and magnificent despite his diversity.

Francis Bacon – Notable Work & Contributions

Francis Bacon is widely considered the father of the English essay. He was a prolific writer and his essays, which were first published in 1597, are considered to be some of the earliest examples of the form in English literature. Bacon’s essays are characterized by their conciseness, directness, and their ability to convey complex ideas in simple language. He explored a wide range of topics in his essays, including love, death, truth, anger, friendship, and more.

Bacon’s essays helped establish the essay as a literary form, and his writing style and approach to essay writing influenced subsequent generations of writers. He is often credited with popularizing the essay as a form of writing and making it accessible to a wider audience.

Bacon’s essays remain widely read and studied to this day, and his contributions to the development of the English essay continue to be recognized and celebrated. He remains an important figure in the history of English literature and his essays are considered to be classic examples of the form.

Major Works-

Francis Bacon was a prolific writer and produced a number of important works in a variety of fields. Some of his major works include:

• Essays: Bacon’s essays were first published in 1597 and are considered some of the earliest examples of the essay form in English literature. He wrote about a wide range of topics, including love, death, truth, anger, friendship, and more.
• The Advancement of Learning: This work was published in 1605 and is considered one of Bacon’s most important philosophical works. In it, he outlines his views on the importance of learning and the role of science in the advancement of knowledge.
• Novum Organum: This work was published in 1620 and is considered one of Bacon’s most important scientific works. It lays the foundation for the scientific method and argues for the importance of observation and experimentation in the pursuit of knowledge.
• The New Atlantis: This work was published in 1627 and is considered one of Bacon’s most important works of fiction. It is a utopian novel that explores Bacon’s vision of a perfect society based on the principles of science and reason.
• The History of the Reign of King Henry VII: This work was published in 1622 and is considered one of Bacon’s most important works of history. It is a comprehensive history of the reign of King Henry VII and is noted for its balanced and impartial approach to its subject.

These work, which are still read and studied worldwide, show Bacon’s enormous intellectual range and his enduring influence on philosophy, science, and literature.

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Francis Bacon as Father of English Essay

Francis Bacon is regarded as the “Father of English Essay” for several reasons:

• Pioneering work: Bacon wrote some of the earliest examples of the essay form in English literature, and his essays helped establish the essay as a recognized literary genre.
• Writing style: Bacon’s essays are characterized by their conciseness, directness, and clear expression of complex ideas. He was known for his ability to convey his thoughts in simple and easily understandable language.
• Range of topics: Bacon wrote about a wide range of topics in his essays, from love and death to truth and anger. This broad scope helped to popularize the essay as a form of writing that could be used to address a variety of subjects.
• Influence: Bacon’s essays had a profound impact on subsequent generations of writers, who were inspired by his writing style and approach to essay writing. His work continues to be widely read and studied to this day, and his contributions to the development of the English essay are widely recognized.
• Legacy: Bacon’s essays remain classic examples of the essay form, and he remains an important figure in the history of English literature. His contributions to the development of the essay have been widely celebrated, and he is regarded as the “Father of the English Essay” for his pioneering work in this field.

FAQs on the Father of English Essay

Francis Bacon is widely considered to be the “Father of the English Essay.”

Bacon’s prose is distinguished by its brevity, vividness, and terseness. Concreteness, vividness, clarity, control, and force are all present in plenty. His essays are advice pieces written in short, oppositional, and epigrammatic phrases. His essays were dubbed “separated meditations” by him.

Bacon’s essays are known for their conciseness, directness, and their ability to convey complex ideas in simple language.

Bacon wrote about a wide range of topics in his essays, including love, death, truth, anger, friendship, and more.

Bacon is considered the “Father of the English Essay” because he wrote some of the earliest examples of the essay form in English literature and helped establish the essay as a recognized literary genre. He was known for his concise and direct writing style and his ability to convey complex ideas in simple language. His contributions to the development of the English essay continue to be widely recognized and celebrated.

By Gauri Malik

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Exploring the Geographical Marvels and Hill Stations of Maharashtra

यूपीएससी जीएस पेपर 4 पाठ्यक्रम के मुख्य पहलुओं का अनावरण, आईएएस मुख्य पाठ्यक्रम हिंदी में और यूपीएससी जीएस 3 पाठ्यक्रम हिंदी में जानें, यूपीएससी सिविल सेवा मुख्य पाठ्यक्रम के रहस्यों को उजागर करना: एक व्यापक मार्गदर्शिका.

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Who was Francis Bacon and what was his contribution to English Literature?

Francis Bacon was a busy man of affairs. Known popularly as “The father of English Essays”, his essays have an evergreen freshness and an intellectual power.

Biography of Bacon

At the age of 12, he went to Cambridge, but left the university early, declaring the whole plan of education to be irrational. He demanded 3 things: The free investigation of nature, the discovery of facts instead of theories, and the verification of results by experiments rather by argument. Today we call it science, but at that time it was revolutionary.

Contribution In English Literature

Bacon used to write in the Elizabethan Era. He has given us a true picture of the English society of his time. We remain indebted for the aphorisms his essays carry. They are filled with sensuousness and wit. He does not talk plainly about what he favors, rather he presents a balance sheet of advantages and disadvantages.

Best of His Quotes

“If a man will begin with certainties, he shall end in doubts; but if he will be content, to begin with, doubts, he shall end in certainties.”

“Reading maketh a full man, writing an exact man".

“Age appears best in four things:   old wood to burn, old wine to drink, old friends to trust and old authors to read.”

Such wisdom packed quotes can come out of essays of a famous philosopher and essayist like Bacon. Where else would you get such treasures of knowledge?

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The Essay: History and Definition

Attempts at Defining Slippery Literary Form

• An Introduction to Punctuation
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

"One damned thing after another" is how Aldous Huxley described the essay: "a literary device for saying almost everything about almost anything."

As definitions go, Huxley's is no more or less exact than Francis Bacon's "dispersed meditations," Samuel Johnson's "loose sally of the mind" or Edward Hoagland's "greased pig."

Since Montaigne adopted the term "essay" in the 16th century to describe his "attempts" at self-portrayal in prose , this slippery form has resisted any sort of precise, universal definition. But that won't an attempt to define the term in this brief article.

In the broadest sense, the term "essay" can refer to just about any short piece of nonfiction  -- an editorial, feature story, critical study, even an excerpt from a book. However, literary definitions of a genre are usually a bit fussier.

One way to start is to draw a distinction between articles , which are read primarily for the information they contain, and essays, in which the pleasure of reading takes precedence over the information in the text . Although handy, this loose division points chiefly to kinds of reading rather than to kinds of texts. So here are some other ways that the essay might be defined.

Standard definitions often stress the loose structure or apparent shapelessness of the essay. Johnson, for example, called the essay "an irregular, indigested piece, not a regular and orderly performance."

True, the writings of several well-known essayists ( William Hazlitt and Ralph Waldo Emerson , for instance, after the fashion of Montaigne) can be recognized by the casual nature of their explorations -- or "ramblings." But that's not to say that anything goes. Each of these essayists follows certain organizing principles of his own.

Oddly enough, critics haven't paid much attention to the principles of design actually employed by successful essayists. These principles are rarely formal patterns of organization , that is, the "modes of exposition" found in many composition textbooks. Instead, they might be described as patterns of thought -- progressions of a mind working out an idea.

Unfortunately, the customary divisions of the essay into opposing types --  formal and informal, impersonal and familiar  -- are also troublesome. Consider this suspiciously neat dividing line drawn by Michele Richman:

Post-Montaigne, the essay split into two distinct modalities: One remained informal, personal, intimate, relaxed, conversational and often humorous; the other, dogmatic, impersonal, systematic and expository .

The terms used here to qualify the term "essay" are convenient as a kind of critical shorthand, but they're imprecise at best and potentially contradictory. Informal can describe either the shape or the tone of the work -- or both. Personal refers to the stance of the essayist, conversational to the language of the piece, and expository to its content and aim. When the writings of particular essayists are studied carefully, Richman's "distinct modalities" grow increasingly vague.

But as fuzzy as these terms might be, the qualities of shape and personality, form and voice, are clearly integral to an understanding of the essay as an artful literary kind. 

Many of the terms used to characterize the essay -- personal, familiar, intimate, subjective, friendly, conversational -- represent efforts to identify the genre's most powerful organizing force: the rhetorical voice or projected character (or persona ) of the essayist.

In his study of Charles Lamb , Fred Randel observes that the "principal declared allegiance" of the essay is to "the experience of the essayistic voice." Similarly, British author Virginia Woolf has described this textual quality of personality or voice as "the essayist's most proper but most dangerous and delicate tool."

Similarly, at the beginning of "Walden, "  Henry David Thoreau reminds the reader that "it is ... always the first person that is speaking." Whether expressed directly or not, there's always an "I" in the essay -- a voice shaping the text and fashioning a role for the reader.

Fictional Qualities

The terms "voice" and "persona" are often used interchangeably to suggest the rhetorical nature of the essayist himself on the page. At times an author may consciously strike a pose or play a role. He can, as E.B. White confirms in his preface to "The Essays," "be any sort of person, according to his mood or his subject matter." 

In "What I Think, What I Am," essayist Edward Hoagland points out that "the artful 'I' of an essay can be as chameleon as any narrator in fiction." Similar considerations of voice and persona lead Carl H. Klaus to conclude that the essay is "profoundly fictive":

It seems to convey the sense of human presence that is indisputably related to its author's deepest sense of self, but that is also a complex illusion of that self -- an enactment of it as if it were both in the process of thought and in the process of sharing the outcome of that thought with others.

But to acknowledge the fictional qualities of the essay isn't to deny its special status as nonfiction.

Reader's Role

A basic aspect of the relationship between a writer (or a writer's persona) and a reader (the implied audience ) is the presumption that what the essayist says is literally true. The difference between a short story, say, and an autobiographical essay  lies less in the narrative structure or the nature of the material than in the narrator's implied contract with the reader about the kind of truth being offered.

Under the terms of this contract, the essayist presents experience as it actually occurred -- as it occurred, that is, in the version by the essayist. The narrator of an essay, the editor George Dillon says, "attempts to convince the reader that its model of experience of the world is valid." 

In other words, the reader of an essay is called on to join in the making of meaning. And it's up to the reader to decide whether to play along. Viewed in this way, the drama of an essay might lie in the conflict between the conceptions of self and world that the reader brings to a text and the conceptions that the essayist tries to arouse.

At Last, a Definition—of Sorts

With these thoughts in mind, the essay might be defined as a short work of nonfiction, often artfully disordered and highly polished, in which an authorial voice invites an implied reader to accept as authentic a certain textual mode of experience.

Sure. But it's still a greased pig.

Sometimes the best way to learn exactly what an essay is -- is to read some great ones. You'll find more than 300 of them in this collection of  Classic British and American Essays and Speeches .

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Who is the father of English essay?

Francis Bacon (1561-1626) was the first really major English essayist,

Incident Command System (ICS)

When would a multi agency coordination system be required, which type of incident is typically handled within the first hour after resources arrive on scene and include vehicle fires and personal injuries, what is a factor that affects the control of an incident, which type of incident require resources that exceed the initial response and include aircraft crashes and hostage situations.

Michel de Montaigne (1533-1592) French Jurist, served 1582-1585 on the Parliament of Bordeaux.

The modern essay writer are more intelligent and take care about the students for their career. If the writers are most important person for every college students.

Sir Francis Bacon is considered the father of English essays. He developed the scientific method.

Father of modern essay --francis bacon

sir William Shakespeare

Charles Baudelaire, a french poet.

who is the father of formal essay

Nasreen Balouch ∙

Francis bacon

Michel De Montaigne

Add your answer:

What is the tone of Lake's essay An Indian Father's Plea?

serious apex

How do you write a conclusion for an English essay?

to help cut off what you are talking about in your essay. the conclusion should tie-up your whole argument which you talked about when writing the essay.

Who is the father of English epic?

William Carey is considered by many to be the father of the English epic. This was a style of story writing in England.

Who is the father of English drama?

William Shakespeare is the father of English drama.

Who is the father of English literature?

Geoffrey Chaucer.

Who is Father of informal essay?

Who is the father of essay.

francis bacon

What is the English translation of sanaysay?

Essay!!!!!!!!!!!!!!!!!!!!

Who is the father of American essay?

Francis Bacon

Can you write an essay about George Bush and his father?

no, can you?

Who is the modern father of essay?

Who is the father of writing.

the father of essay writing is said to be Joseph P. Hynes

What is a good English essay?

Mabe something funny like how to get rid. F your brothers and sisters or what's in fashion and out or a day in a life of your mum

What does ensayo mean in English?

it means "essay".

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Essay on My Father [Short & Long]

Essay On My Father- The greatest gift I ever had, Came from God, I call him Dad!! My father is my hero and I consider him the world’s awesome father. He possesses many qualities that one should have to become a perfect father.

Everyone in society talks about only mothers’ love But fathers’ love is neglected because they are less capable of expressing their love. A father in the family is like a pillar of a building that gives support to every corner of the building.

short Essay On My Father | 250 Words

Introduction.

Father’s love and affection are less noticed and less discussed. Everyone just talks about the mother’s love and affection. But the father also holds a special significance in a child’s upbringing and care. One of the greatest gifts from God is My father.

The name of my father is Mr Harsh Gupta. He is a very intelligent person. He is an entrepreneur by profession. He is very hardworking and also very punctual towards his professional life.

Why Fathers are so special!

Everyone says that “My father is best in the world”, so I do. But these are not just the words I utter for him, This is my perspective of him. Moreover, my opinion is not that he takes care of me but I am impacted by his personality and attitude.

My father is the one who always maintains a balance in every aspect of life. One of his qualities that creates a deep impact on me is valuing time. He always advises me not to waste time saying that it is the most valuable thing in the world.

Why I like him

Every son or daughter surely likes his or her father. But I like my father for his extraordinary point of view. The way he perceives the world is very strange. He even brings something positive in any negative circumstances.

Plus, he solves all my doubts in a way that I never need to raise a question for that doubt again. My father is also very good at mathematics . He helps me in solving mathematics problems whenever he is free from his work.

To sum up these words, Fathers are the strength of their children. They are one of the people that impact children’s personalities. My father also has all the qualities that should one human being possess. He is a real-life superhero for me. He always takes care of his family and also manages his professional life efficiently. I want to become like my father.

Long Essay On My Father | 500 Words

A father is sometimes loving and sometimes tough. But whatever his behaviour is, he always supports us at every corner of life. Fathers’ love and affection are less expressed but it does not mean that they don’t care for us. A father remembers and fulfils every need of their children before asking.

My father’s name is Mr Saurav Trivedi. He is a hardcore business person. I get astonished to see my father that how manage all the aspects of life intelligently. He always taught me to be disciplined every work. Moreover, his behaviour is exceptional. He treats everyone equally without judging anyone. Also, he is an animal lover .

Importance of fathers

We are a continuation of our father. Fathers are among those people who impact the lives of children at a notable level. Fathers help children to develop attractive personalities. They protect us from the evil of society. They inspire us to do something extraordinary in life. My father often instructs me on how to face problems.

Fathers are the source of inspiration , motivation and love. Additionally, they support us in difficult situations and demonstrate the right direction. More notable, We are recognised by the name of our father. But fathers feel more proud when they get recognised by their children’s names.

Qualities of My Father

One of the qualities of my father that inspires me is to be humble towards every living being . He is a very kind and loving person but at the same time, he possesses a strict nature . My father has been a punctual and regular character in his professional life. he always values time and teaches me the same.

Furthermore, he has a jolly nature and always makes my family laugh with his ridiculousness. I cherish this stupid side of him. My Father always tries to fulfil all our dreams but also sustains strictness when the need occurs.

What makes My Father so special

My father has an eternal love for animals which causes him very sensitive towards them. He follows his religion devotedly and is very generous too. I have never seen my father behaving evilly with his seniors in my whole life which causes me to want to become like him even more.

My father has explained to me the meaning of love in the form of a flower he gifts to my mother every day. This regularity and love inspire all of us to treat everyone the same way. All my understanding of sports and media, I have acquired from my father. It is one of the single reasons why I want to be an athlete in the future.

Why I want to become like him

One of the greatest things I like about my father is that he has always retained a very safe and spacious home environment. For example, my siblings and I can discuss anything with him without the worry of being punished or judged. This has assisted us not to lie, which I have usually seen with my friends.

I can boastfully say that it is my father that has been my root of motivation from day one. In other words, his attitude and character together have developed me as a person. Likewise, he has a big influence on the world as well in his small ways. He gives his available time to take care of stray animals which motivates me to do the same.

Final Words (Conclusion)

In the end, My father has all the qualities that A human being should equip with. He has always been and will be an inspiration for me. My father made me believe in myself. I always want to become like my father. I feel fortunate enough to have my father and I am proud of him. I dream about a day when my father is proud of me.

Why are fathers important?

Fathers are very important for the right upbringing and care for the child. They are the ones who understand every need of their child and try to fulfil them.

How do I write an essay on My Father?

You can write an  essay on My Father  very easily in simple steps. 1. Create a List of headings. 2. Brainstorm and Outline. 3. Think about the structure of the essay. 4. Write it down carefully. 5. Use a positive tone. Write down in a structured way.

When is Father’s Day observed in India?

Father’s Day is celebrated on the third Sunday of June month every year.

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How Alone Australia winner Gina Chick danced with grief and found her happy ending

It was my 67th day in winter wilderness and I'd long left behind all comprehension of myself as a modern human.

I couldn't imagine any life but this: surviving solo on palawa (Tasmanian Aboriginal) country as a participant on the SBS survival series Alone Australia. I passed my latest medical check and answered questions from producers to assess my mental state.

I was thriving, completely in love with my wild home, but who else was still out there? I would only find out I was the last one standing if a loved one walked out of the wilderness and said, "You've won".

And then it happened. My body knew he was there before I did. I turned.

Here, like some bizarre jack-in-the-box, was a tall shape as familiar as my own hand. He was wearing a bright blue parka.

That's the bit I remember, a breathless shock of vivid colour wrapped around Lee, father to my fallen daughter, my one-time husband and current collaborator on so many aspects of my existence.

He was a piece of my faded modern life, cut out and pasted onto the muddy hyper-reality of this primal one.

The shock of him, and the meaning of that moment, brought with it so much new information, it almost split my skin.

I'd won. But winning had become such an ethereal concept I couldn't marry all the separate strands of possibility whipping around in that moment.

I screamed. I swore. My eyeballs tried to jump out of my face. He was here. I'd almost forgotten there was a point to this show: to be the last one standing, and then it would be over. And now I was the last one standing. It was over.

I gingerly tapped Lee's chest, almost expecting my hand to go through it. Like he was a hologram. He was so proud of me he was trembling.

"Would you like a hug?" he said, eyes full of tears.

"Yes," I said, though I could barely hug him back. My knees buckled. He held me up.

"You're real," I said. "You're here."

"Yes, Gi. You did it. You've won."

There's a moment in the footage I will treasure forever, where our foreheads press together and we're both crying and laughing. Our whole life journey together is right there in that one image.

The cameras didn't exist for us, nothing existed.

Lee and I have been to the underworld together, we've carved out our hearts and held them up as the abyss swirled in with raven pecks and howling claws to shred them to bloody rags, and returned to talk about it, stronger.

He is woven into the fabric of my being. I can't imagine life without him.

"It had to be you," I said. After everything we've been through, it had to be him to catch me for this transition, my first human touch in 67 days. I was to be torn from my simple nest and flung back into the neon madness of modern life.

He understands the wild in me better than anyone. So much of why I was there, and how I won, came from our time together.

Dancing with grief

Lee and I met at Tom Brown Junior's Tracker School 15 years ago. I'd been blown there on the winds of instinct and a yearning to understand more deeply the truths of our hunter-gatherer ancestors. Lee was living in a tipi for a year in the caretaker program.

At the time it felt like we made the choice to be together but, in retrospect, our connection seems choiceless and fated.

Without him, our daughter Blaise would not have come to be. Having and losing Blaise has given me the resilience to dance with life in ways I never would have imagined.

Dancing with grief over the past decade has taught me how to be with what is, rather than what I wish could be. Or should be.

It's taught me to turn a challenge inside out to find the blessing in the lesson. It's shown me there is nothing that cannot be felt, and that emotions are like summer storms. They blow through if we let them, and on the other side is peace.

Looking at the world through the eyes of a child means I find joy in every moment, even the shitty ones. Without those tools I may never have lasted a day in lutruwita (Tasmania).

Nature, the great recharger

It's funny how lives make sense when you look at them backwards.

I'm not surprised I was bullied as a kid. Humans are hardwired to fear what is different and I was out on the lonely edges of the bell curve.

You don't see many kids at school chewing up seed and spitting it into a baby bird's mouth at recess. Kids don't react well to that kind of strangeness, as a rule.

Home was a chaotic explosion of life and animals and camping trips and picnics and books and music and love. Primary and early high school was a grey interminable hell being pecked by savage birds with cruel beaks. If I thought about the other kids as eagles on carrion it made sense. Except I was the carrion, which didn't.

Nature was always my refuge and solace when humans baffled me, which was mostly.

My feet were leathered, able to run across rocks, my back broad and strong as a boy's. My sisters and I ran wild from beach to beach, nut brown, freckled, jumping from high trees into azure water, ignoring oyster cuts from the rocky scramble back for the next jump.

We didn't think about nature as a thing, it was just life.

Home was the place we ranged from and returned to, but all the best adventures happened outside. Mum calls it our free-range childhood.

I didn't have to learn to be wild. Instead, I had to learn how to fit into boxes, and the lessons never really took. Now I'm old and ornery enough not to try.

We're hardwired for nature connection. I see it every day in kids running around, building shelters, playing with sticks, making dams. It's innate.

When that connection is fostered and mentored, humans have access to a level of wisdom and resilience our hunter-gatherer ancestors relied on to survive for hundreds of thousands of years.

Wild creatures don't outsource their authority. They follow their needs, in deep relationship with the landscape. This is how we evolved, but in the past 10,000 years, we've gradually forgotten. The amazing thing I see is how quickly we remember when conditions are right.

We don't need to go solo in winter wilderness. Simply kicking off our shoes, leaning against a tree and listening to birdsong is enough to start the process.

Nature is a battery, ready for us to plug in. When we do, we recharge our souls.

It's impossible for us to be separate from nature. We're grown from it. I could quote studies about Nature Deficit Disorder and rewilding — connecting with ancestral living skills and living in harmony with nature — but, for me, it's a much simpler equation.

In the mirror of nature, we see ourselves reflected, and what's important comes into focus. Our brain waves change, our sense of self merges with the interconnected web of life spanning a planet.

We're part of something greater than us. We marvel at the mystery of life and our place in it. We come home.

Kids know this intuitively. Adults are imprisoned by a thin veneer of civilisation telling us to control nature, to shape and mould and tame it, but inside, down where the wild things are, our instinctive voice whispers differently.

When the moon tugs at the water in our bodies, when morning sun traces gold around every leaf, when oceans shimmer with quivering light and the horizon falls away in an infinite edge to remind us we are no more important than any bird or stone or tree, we begin to understand that home is bigger than our nice house. It's the whole world and it's our birthright to dance in harmony with it.

Lee was the first other person I'd met who knew this utterly. Together we found delight exploring our living planet.

We dived into a life practising ancestral rewilding skills. The house was full of sticks and smelled of fire-smoke. We built shelters in the bush. Slept next to fires. Drank chai in the city. Danced between a modern and primitive way of life.

It sounds very romantic. It often wasn't. When there were storms, great typhoons that roared in from the south, we shared one trait that saved us: to turn up in the conflict until we found resolution, both taking responsibility for our part. To do it until it was done.

It was lucky we carved out these processes of deep relating. We would need them.

Losing Blaise – and releasing Lee

Lee and I ended up walking a path I would wish on no parent, ever, after our only daughter Blaise died of cancer, aged three.

To grieve your child seems to break some law of nature, though of course that's just a story. Children die. There's no magic to say who is immune. Death rolled the dice with a skeletal hand and a rattle of bones.

Our one perfect cub flew away.

We re-started our Rewild Your Child family camps not long after Blaise died and discovered that not only could we still be around kids, it helped in our grief. I've gone from having one child to hundreds. That village is now a thriving community, based on nature connection.

Lee and I discovered a new shape together. Instead of parenting a child, we parented a village, planted seeds of connection, which we tended and grew into a living forest that's now so much bigger than us.

And for a while, it was enough.

We wanted another child. It was not to be. I had five miscarriages in 12 months. I learned then that my body was done and I accepted that.

For me, when someone deeply knows the business they are on this planet to do, that is a wonderful thing. I'll never get in the way of that.

Lee always, his whole life, wanted to be a father to many children. It shaped him, that yearning. To me, one of the fundamental gifts of togetherness is supporting another on their life's journey; whether it's a friend, a lover, a parent or a child.

I couldn't have any more kids. Lee and I parted ways so he could. It made sense for him to do the thing he desperately wanted to do.

When we got married, our vows weren't to be together forever, 'til death do us part. Our vows were to support each other in our soul journeys, whatever and wherever that was.

If that meant that we were together, great. If it meant that we were on other sides of the world, great. We still do support each other. It's just not in that conventional married sense.

When Lee and Hannah, his new partner, found each other, I celebrated.

Truth be told, I helped nudge Lee towards her, elbowing him in the ribs when she walked away after he'd totally missed her flirting with him. "Are you going to let that arse walk out of your life?" He chased after her and snagged her number.

The rest is history. I love both their daughters and feel so honoured to be their godmother. They are Blaise's sisters. Hannah's amazing and a dear friend. There aren't many wives who would be okay with the ex being around, especially when the ex takes up as much room as I do.

Life has taught me, over and over, to die into every moment. Which means letting go. There is such freedom in that.

It means I meet each moment with wonder, excited to see what's in store. I'm not thinking about tomorrow, or yesterday, or what might have been. To me that's pointless.

People ask me all the time how I can be happy for Lee. I find the question confusing. How can I not? Two little girls have the best dad imaginable and my best friend has found love and nourishment. How can I not celebrate that?

We are all changed by everyone we meet, by everyone we share our lives with. If I hadn't met Lee, if we hadn't loved and lost our daughter, I would not have been on Alone Australia, and now have a platform to initiate a conversation about nature connection with people all over the country.

I am so grateful this conversation is so alive in public consciousness, and that our dream of sharing this wisdom is coming true in ways we never could have imagined.

All around the country, the whisper of wildness is becoming a song, one we can all sing together, and hopefully in the echoes of that melody re-imagine our relationship with this planet, our only home.

Sometimes not ending in happily ever after is the best love story of all.

Watch Gina Chick (@gigiamazonia on Instagram) on Australian Story anytime on  ABC iview .

• Human Interest